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Out Loud

 

• The Fiction of North Korea in Adam Johnson’s The Orphan Master’s Son
• Face the Itch: Investing in the Creative Hunch
• William Taylor Jr.’s Transformation in An Age of Monsters
• Eleven Eleven: Class, Literary Journal, Network, Micro-Canon
• Who Is Everywhere Man?
• Chris Peck and Hist-Hop: How Fresh Sounds Stay Connected to the Past
• RADAR’s Lab: an Experiment that Reinvents Artists
• The Top 10 Bay Area Literary Events in September — Plus
• Why Poetry Belongs in Your Disaster Kit
• Previously Secret Information: Comics Drop Their Acts and Tell True Stories Without Notes
• Porchlight Turns 9
• Litquake Sets A Potent Scene with Cabaret Bastille
• Grass Widow Celebrates First Self-Release With Milo Minute
• Nobody Move
• Everything Is Its Own Reward… It Really Is
• Thoroughly Modern Maupin
• ‘Nobody Move’ Begins New Chapter for Intersection for the Arts
• ‘No Exit’ Imagines Human Nature Through a New Lens
• Stories in the Making: Art For The Sake Of Education
• Tenderloin Reading Series Turns 2 and Teams Up With I Live Here:SF To Launch Tenderlogue Project

 

• Writers at Headlands Center Cover Beauty, Sadness, and the Occasional Graphic Detail
• Picthapalooza’s Book Doctors Talk About What Makes a Good Pitch and How to Get Published
• MFA Students Prove Their Worth in New Series Writing Without Walls
• Matthew Stadler Covers A Novel Like a Musician Would Cover a Song
• Daphne Gottlieb Reads Our Culture Back to Us
• Loud Bikers Can’t Stop Release of 14 Hills Lit Journal
• Canteen Magazine Grows, Builds Community
• Sherril Jaffe: Art Gives Our Lives Back to Us
• LitUp Writers Share Their Labor Pains
• Veteran Publisher and Writer Lindy Hough
• Writers With Drinks Celebrates 10th Anniversary
• Poet Dan Lichtenberg Mixes Abrasive, Accessible, Inquisitive
• VIDA: Women in Literary Arts
• Warhol Reimagined: The New Factory
• A.D. Winans continues writing, publishing at 75
• Spend Saturday Night ‘In Bed with James Broughton’
• You Tell Them What to Write, They Compete: Portuguese Artists Colony
• The Literary 12-Step: Poet Charles Kruger
• Sam Sax Shakes Up the SF Slam Scene

• The New San Francisco Poets » Interviews with Stellar Cassidy, Shyeanne Has Powers, Andrew Paul Nelson, J. Brandon Loberg, Nic Burrose, and Charlie Getter

• Interview w/Josh Mohr

• Dear Sugar: Sold-Out Coming Out Party Opposite of Selling Out
• Justin Chin reads from 98 Wounds at City Lights
• The First Weekend of Litquake XII

• One for None by M.G. Martin
• An Interview with Matt Stewart
• The Ancient Book Of Hip, by D.W. Lichtenberg

• The Last Book I Loved: We’re Getting On
• The Last Book I Loved: Confessions of a Teenage Jesus Jerk

• The Tosca Project is a San Francisco gem
• Afternoon in the Garden of Hedonism
• Vigil for change
• The Caucasian Chalk Circle wasteland transformation project
• Here is Phedre in her Frenzy
• Over-the-top November: Mamet is shocking
• Supperclub Hits You Where it Feels Good
• [Your Name Here] in Brief Encounter
• The Diary of a Biking Wino
• Betelnut in Pacific Heights

• Powerful ‘Prayers for Peace’

 

• Stones of the New Consciousness
• Interview with NAB Publisher Richard Grossinger